International copyright relations of the United States
Read Online

International copyright relations of the United States

  • 812 Want to read
  • ·
  • 3 Currently reading

Published by Library of Congress, Copyright Office in [Washington, D.C. (101 Independence Ave., S.E., Washington 20559-6000) .
Written in English


  • Copyright -- United States,
  • Copyright, International

Book details:

Edition Notes

SeriesCircular -- 38a, Circular (Library of Congress. Copyright Office) -- 38 a
ContributionsLibrary of Congress. Copyright Office
The Physical Object
Pagination7, [1] p. ;
ID Numbers
Open LibraryOL14498475M

Download International copyright relations of the United States


↑ Bilateral copyright relations between the People’s Republic of China and the United States of America were established, effective Ma , by a Presidential Proclamation of the same date, under the authority of section of title 17 of the United States Code, as amended by the Act of Oct. 31, (Public Law , Stat. Written by two of the most esteemed experts of copyright law in the United States and Europe, this volume is a unique synthesis of copyright lawand practice, taking into account the Berne Convention, the TRIPs Agreement, the ongoing harmonization of copyright in .   The Berne Convention for the Protection of Literary and Artistic Works is the most important international treaty that addresses international protection for copyright. The United States acceded to that treaty in International copyright conventions and treaties have been developed to establish obligations for treaty member countries to adhere to, and implement in their national laws, thus providing more certainty and understanding about the levels of copyright protection in particular countries.

  International Intellectual Property Alliance (IIPA) is an alliance of trade associations in the “copyright-based industries” of the United States. Treaties. Several international treaties encourage reasonably coherent protection of copyright from country to country. Published works originating in Iran thus are not copyrighted in the United States, regardless of the local copyright laws of these countries. See 17 U.S.C. § (b)(2), quoted in the Circular. Unpublished works, however, are copyrighted regardless of their origin or of the nationality of the works' authors, as long as they remain unpublished. Historical Documents. The Foreign Relations of the United States (FRUS) series presents the official documentary historical record of major U.S. foreign policy decisions and significant diplomatic activity.. Search within the volumes, or browse volume titles by administration. Bilateral copyright agreements of the United States are agreements between the United States and another country which allow U.S. authors to claim copyright protection in the other country and authors from that country to claim protection under United States copyright law.. The agreements can take one of two forms with respect to the United States: An exchange of notes, which is given effect.

About the Foreign Relations of the United States Series. The Foreign Relations of the United States series presents the official documentary historical record of major U.S. foreign policy decisions and significant diplomatic activity. The series, which is produced by the Department of State's Office of the Historian, began in and now comprises more than individual volumes. International copyright agreements also set forth certain "minimum standards" of copyright protection. For example, the duration of copyright generally lasts for a minimum period of life of the author plus 50 years. The United States also maintains copyright relations on a country-by-country basis. The international copyright relations of Russia were virtually non-existent for much of the Imperial era continuing into the history of the Soviet Union until the Cold Russian Empire had only a few bilateral copyright treaties with other nations were concluded; . There is no such thing as an “international copyright” that will automatically protect a work throughout the world. Protection against unauthorized use in a particular country depends on the national laws of that country. A listing of countries and the nature of their copyright relations with the United States is available from the U.S.